I've been working on new art for ConQuesT (Kansas City, Memorial Day Weekend) and SoonerCon (Oklahoma City, first weekend of June). I love a deadline, or as Douglas Adams, one of my favorite authors, said -- "I love the sound a deadline makes as it whooshes by my head." So much to do, so little time.
One of my first steps is the underpainting or "grisaille" -- developing the tonal qualities of the painting in monochrome using a watercolor pencil. I then go back over the piece with layers of watercolor and, sometimes, ink.
The image at right is an in-progress shot of this process. On this piece, title "At Loose Ends", I used a Faber Castell Albrecht Durer water-soluable color pencil in Mauve, manipulated with a Niji water brush. Later, I applied Daniel Smith watercolors in Rich Green Gold, Quin Burnt Orange, and French Ultramarine.
"At Loose Ends", 2.5 x 3.5 inches, ACEO, watercolor, watercolor pencil, and ink. (c) 2009 Allison Stein
I'm an artist and author with a dark Southern streak, but random cuteness runs very deep. Some say I'm a crazy cat lady in training. Others say I've always lived in a fantasy world. But after a long day slaving over a hot keyboard, all I want to do is cuddle with my kittehs, watch old movies on TV, and paint cute stuff.
Monday, May 17, 2010
Saturday, May 1, 2010
Silent Cat, ACEO
I finished this tiny painting recently, and posted it to my Etsy shop (http://allisonstein.etsy.com) a few days ago. This one was created with Daniel Smith pigments -- the underpainting is Raw Umber Violet, with Undersea Green and Gold Ochre for the dominant colors. Some detail was added in pencil.
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