I've updated my Etsy site with four items:
I'm an artist and author with a dark Southern streak, but random cuteness runs very deep. Some say I'm a crazy cat lady in training. Others say I've always lived in a fantasy world. But after a long day slaving over a hot keyboard, all I want to do is cuddle with my kittehs, watch old movies on TV, and paint cute stuff.
Wednesday, April 1, 2009
Sunday, September 7, 2008
Making glass gem pins...
This morning I've been making glass pins to wear, to donate to the NFPW Education Fund auction next week, and to sell at Archon next month.
I start with a small image of one of my paintings, apply a glob of glue, then squish the gem into the glob and slide it around until the glue is evenly distributed and the image is centered. The photo shows what it looks like at this stage.
After the glue has had time to cure, I'll trim the edges, glue on the pin back, and then seal the back and edges with a mat varnish.
Alternatively, I could glue a magnet on the back, in which case I'd skip the varnish.
*silcone-based industrial-strength adhesive
Sunday, September 16, 2007
Dragons, Dragons

Two dragons
Two of my dragon doodles, done while at my artist alley table at Archon/Nasific in August. The size got away from me. They were intended to be ACEOs, but they got too big for their britches.
Friday, September 7, 2007
4 Contemplations on Fruit, ACEO




Monday, April 30, 2007
Sunday, April 29, 2007
Another Cliff-Dwelling Dragon

Another Cliff-Dwelling Dragon, 15" x 19" watercolor on Canson 140#
This is the largest painting I've done so far. The background when in quickly and easily, but I labored on the dragon a bit too much. As it stands, this will be my centerpiece in my ConQuesT art show display in late May. He might become a print, as well.
My Favorite Dragon

Sunday, April 15, 2007
Belly Flop
Belly Flop, 9"x12" watercolor on 140# ArchesSaturday, April 14, 2007
What's on the table?
Another dragon, a work in progress. I'm applying very thin layers of underpainting on this one, trying to build up the three-dimensionality of this guy. Just how pale? Compare the painting to the worktable. Very pale. Stay tuned.I'm really intrigued by his eyes. I'm not sure how I'm going to keep their expressiveness when I apply color to the pupil.
Sunday, April 1, 2007
Sitting Pretty On A Wall



Sitting Pretty On A Wall, 8x10 watercolor on Arches 140#
Sunday, March 11, 2007
Learning Mode: Mr. Grumpy, redux

Mr. Grumpy, watercolor on Canson 140#, 3.5 x 5.5
I did this quick rendering of Mr. Grumpy in watercolor several weeks ago, for practice. I think the boy needs more texture and more drama.
Sunday, February 25, 2007
Learning Mode: Imagined Lizard
Imagined Lizard, watercolor on Arches 140#, 9x12I worked on this piece in my last two watercolor classes. The goal was to learn to build depth through layers of color, and to build a wet-in-wet background. It is loosely based on an iguana, but not intended to be realistic.
Dragon
Sunday, February 4, 2007
Sketchbook: Mr. Grumpy
Mr. Grumpy, watercolor pencils in sketchbook, approximately 9"x12"Class was cancelled this past week due to bad weather. My teacher suggested I use reference photos of reptiles in sketching my dragon critters. This grumpy little guy was inspired by a photo of an inquisitive little lizard perching on a flower bush. This isn't a realistic portrait, but I feel good about the facial expression and the round little belly. The icky weather also inspired my use watercolor pencils for color instead of my usual graphite. The water made the paper buckle, as you can see on the left side.
Sunday, January 21, 2007
More Sitting Pretty (ACEO)

Sunday, January 7, 2007
Sitty Pretty (ACEOs)
More small paintings. These are color studies for a larger painting. Both have Paynes gray underpainting. The underpainting on the orange dragon seemed terribly dark when I started, but I think it turned out okay.
Saturday, December 30, 2006
Party Boys (ACEOs)

Party Lizard (top) and
Party Dragon (bottom),
12/30/2006, 2.5" x 3.5" (ACEO), watercolor on 90# Canson
Notes for later: I think I prefer the richer darks the underpainting provides. Next time, I'll try using Payne's grey instead of diox purple. The yellow ballon is too bright, but a glaze of burnt sienna should tone it down. The wings are a little too low on the back, and need more structure.











